Sunday, September 24, 2017

Kingsmen: The Golden Circle Review

Kingsmen: The Golden Circle
Director: Matthew Vaughan 
Cast Headliners: Taron Egerton, Mark Strong, Colin Firth, Jullianne Moore, Pedro Pascal , Halle Berry, Jeff Bridges, Channing Tatum,  many others
Original Release Date: September 22nd, 2017



 The first film in this series, 2014's Kingsmen : The Secret Service, was a pleasantly great surprise. It looked decent or so, but ended up being a greatly fun wild mix of action, humor, and larger than life aspects. Of course the announcement of a sequel has to leave one curious with excitement for where it can go. In this second film, Kingsmen: The Golden Circle, this potential is definitely reached as a whole.
The movie picks up some manner of time in the wake of the prior film. Eggsy (Taron Egerton) is now a more experienced and adept agent in the British covert spy society “The Kingsmen”. He works with the likes of his peers including technical support Merlin (Mark Strong), his old friend and fellow agent Roxy (Sophie Cookson), and new leader Arthur (Michael Gambon). Yet between his responsibilities he still has time to see his girlfriend.. the Princess Tilde of Sweden (Hanna Alstrom) and his various friends from his home area. Things seem great of course, but an epic , almost 2.5 hour plot unfolds that goes to some crazy, action-packed, and wild places.
Events eventually transpire to where the main team of Eggsy and Merlin must seek out their American counterparts, The Statesmen. This adds to the star-packed cast with their agents such as the charismatic Tequila (Channing Tatum), their technical support Ginger Ale (Halle Berry), leader “Champ” Champagne (Jeff Bridges) , and the badass lasso-wielding Whiskey (Pedro Pascal). They are needed to contend with the insane villain Poppy (Jullianne Moore) of the titular Golden Circle.
This expanded cast does two good things for the movie. It both expands the (ever-more-unrealistic) world's lore into interesting and epic places. It also leads to some interesting and funny dynamics between all the factions. An insane, wacky spy montage of people and places. For as prim and proper the Kingsmen are in their stereotype of England, the Statesmen are as “Murrica” as possible with their whiskey Kentucky operations, cowboy hats and revolvers, and sense of justice. The same hyper pulp applies to nearly every facet of this world.
The characters themselves are a mixed bag of use. Egerton's Eggsy is once again a likeable and cool protagonist, here being much more skilled in battle and dialogue but not forgetting his youthful arrogant roots. His friendship with Merlin is a highlight, and Strong is as wiseand helpful and occasionally as always too. Tatum's Tequila captures the gung-ho nature of his USA peers and has some coolness and laughs however he unfortunately is a bit of a smaller part. The same applies to the supporting staff on both sides of the pond, from Roxy, Arthur, Ginger Ale, Princess Tilde, and the dude Champ not having much more than the occasional drop of exposition or a joke.
There are luckily exceptions to this. Pascal's Whiskey is a highlight right up there with Eggsy and Merlin. He adopts a gloriously over-hammed and just on the borderline of cheesy “cowpoke” accent for this role, and has some action scenes and jokes that stand highly through what his role is. Marketing has spoiled that perhaps Colin Firth's Harry / Galahad may not be as dead as what was shown in the last film. The reveal of why and how is an emotional , and important feels story arc that must be seen firsthand. But be assured that this is done well and he is once again a highlight. Moore's Poppy is an insanely , funnily evil Martha Stewart-esque innocent exterior kind of villian...replite with an old-school diner and town filled with robot dogs and salonists in the middle of jungle ruins. She is a bit over the top , but often intimidates and charms. These aspects of the villianous side are of course more memorable than generic henchmen such as Engel (Tom Benedict Knight) and traitorous Kingsmen Charlie (Edward Holcroft...although who almost reaches Bond villian memorable tier with his metal rockem-sock-em cyborg arm). There is also Elton John as Elton John...who well, it must be seen but he's silly and amazing in what he adds. Various other characters show up as well such as the President (Bruce Greenwood) and Charlie's girlfriend Clara (Poppy, ironically enough, Delevigne) who add to the story in surprising ways.
The plot of the movie is long but as a whole worth it. There are many twists and turns, as with the first one and others of this genre, that keep the interest and stakes going. There's some deeper themes explore with the drug trade , relationships, and amnesia that are explored to various results. Some parts are a slowdown from what's around them, but when the humor , ridiculousness, and action come its worth it.
Without a doubt on those last two points, director Matthew Vaughan delivers once again. There's a style that has become a now-trademark for him via this series and Kick-Ass... Crazy, frenetic shots. Choice uses of popular and original music (even in less fast paced scenes). Constant “really now!?!?” kind of feelings. The scale has been raised from 11 to 12 for this movie in nearly every way, for better or worse. At times this surrealness once again leads to some less than remarkable backgrounds, but when it counts it delivers.

It's a sequel that tries to be “can lightning strike twice”. It almost does, and hits the same level of insanity, brutalness, crudeness, charm, and fun as one would want. Fans of the series will be delighted, and even as a standalone, it's a shiny, crisp, wild spy blockbuster that's packed with memorable moments. Mixing between cheesy and truly great, it's worth the time. 8.1 out of 10  

Friday, September 15, 2017

It Review

It
Director: Andy Muschietti
Cast Headliners: Bil Skarsgard, Jaeden Lieberher, Finn Wolfhard, Sophia Lillis,  several others
Original Release Date: September 8th, 2017


The novel and 1990 mini-series It can be said to be one of author Stephen King's most iconic stories. The terror trip of a tale of an evil clown, a band of friends, and a mysterious town is both thrilling and influential on other things. It's understandable that this remake / reboot should be viewed with some manner of hesistance... after all, there's many bad horror and overall remakes of films out there. The horror genre has changed in the past 27 (what an intentional number) years as well, so how does this turn out. It's pleasing to say that this is a well deserved remake worthy of the concept.
The movie, smartly, does not cover the massive volume of the book (which was a multi-episode TV mini-series more than a movie) so thus is actually the first film in a planned two film adaptation. This may confuse casuals who were not aware and has a bit of an obvious “Chapter One” text at the end, but it is also in a way self contained. The film as expected takes place in the fictional town of Derry, Maine in 1988. A boy goes (quite horrifyingly) missing after he's attacked and dragged away by a sewer dwelling circus clown, Pennywise / “It” (Bill Skarsgard). This dark sequence is just within moments of the film, and it is far from the end of the terror train that follows.
Some short time later, the lives of a group of children in the town of Derry are followed. There's the likes of the missing boy Georgie's stuttering older brother Bill (Jaeden Lieberher), and his various friends including fast talking jokester Richie (Finn Wolfhard), fearful Jewish Stan (Wyatt Oleff), and nervous Eddie (Jack Dylan Grazer) who are eventually intertwined in their lives with new friends in black farmboy Mike (Chosen Jacobs), chubby new kid Ben (Jeremy Ray Taylor), and the only girl in outcast Bev ( Sophia Lillis). There's also periphery characters in the gang of bullies led by Henry (Nicholas Hamilton) amongst some parents and townsfolk.
The film has an ensemble cast of mostly children, and they prove to be greatly casted. As with other incarnations of this story, the overall friendship...whether in juvenile (and often truly funny..at times stupid) jokes or the ups and downs of bonding , between the kids is a strong suit. Every kid has their moment to shine, whether through heroism or horrifying fright. Lieberher's Bill is a sort of protagonist who has some alright moments. Paticuliarly, the main peers in Wolfhard's (purposefully.,... a much different kind of role to his past work in Stranger Things!) annoying comic relief Richie and Lillis's stressed yet tough Bev stand as highlights. Slightly unfortunate is the fact that some kids end up just delivering a line or two and end up as a stereotype as “token black”, “token Jew”, “token sweet fat kid” etc but when they are featured they are alright... hopefully their characters get more to do in part 2.
The movie does a great job in both its whimsical joy and darkest of horror. The camera work and direction by director Andy Muschietti is commendable, with lush outdoor scenery or grimy skin-crawling houses and sewers the quest goes on. The effects on the various monsters and visions are also really, frighteningly real seeming and quality. This I contrasted by choice set design, costuming, and the occasional background music that takes one back to the 1980s. Not to mention that the film's orchaestral score is often solid too. The influence of It was felt in the television show Stranger Things, so its ironic but understandable that the same overall tone is matched here with its look, whimsy, and setting...it's only fitting and full circle that even includes one of the same stars. But on its own, it holds well.
This movie is thrillingly, often jarringly and pulse poundingly scary. At times the repitition of some tactics get old or some choices are silly (come on... that “Dancing” scene? The heavy metal rock fight?). However the film often finds ways to shock... both with (a moderate or so amount of) jump scares and creepy , more nuanced imagery as it should be. All the good things have been said of the film, and not even mentioning the titular Pennywise. Skarsgard is... great in the role for sure. His appearance both neutral and in the many forms he takes is unsettling and demonic. It's hard to compare to Tim Curry in the original, because that was so iconic. Smartly, it's a semi-different role... a darker look (in a darker toned film than its equivalent peers) in costume and more brutal of a character. He speaks much less, but when it does he gives a creepy voice and luckily rare terrifying laugh. His scheming , wretched cunning is a memorable highlight of the film that may haunt the viewer long after. This is alongside some close to taboo other themes that add to the dark tapestry.

The movie has a big name to live up to , but it comes really close to what it should be. The pulse pounding onslaught may at times be overwhelming and repitative, but the scares count when they count...and the heart in the daytime. As its own, it is a quality horror film... and leaves one wanting the next part. 8.2 out of 10