Hacksaw Ridge
Director: Mel Gibson
Cast Headliners: Andrew Garfield, Hugo Weaving, Theresa Palmer, Vince Vaughan, Sam Worthington
Original Release Date: November 4th, 2016 (seen mid/late Nov)
Cast Headliners: Andrew Garfield, Hugo Weaving, Theresa Palmer, Vince Vaughan, Sam Worthington
Original Release Date: November 4th, 2016 (seen mid/late Nov)
“War is hell' is a phrase and words
that have been explored in many films and media before. Countless
tales of heroism, true stories, and sacrifice during World War 2 have
been told in Hollywood before. Hacksaw Ridge has something extra
notable in it: the protagonist never once touches or uses a gun. How
does this happen, and does this make for a worthy premise? Director
Mel Gibson tells a overall emotional and visceral tale on what this
means to make a pretty unique film.
In essence the movie is a biography of
the important parts of Desmond Doss(Andrew Garfield), a Virginian who
lives with his brother Hal(Nathaniel Buzolic), and parents Tom(Hugo
Weaving ) and Bertha(Rachel Griffiths). Flashbacks show his young
childhood, and encounters with the violence, spirituality, and
drunkenness of his father which forms his beliefs. World War 2
starts, and amongst family drama he finds himself joining the
military even with his pacifistic views that do not permit him to
even touch a firearm.
The movie goes through three major arcs and settings that contrast pretty heavily in quality and style from each other. The film's opening 1/3 are set in Virginia and detail the Doss family drama. There's some decent stuff, but at times things can get cheesy. It's unfortunate that the great Hugo Weaving kind of bumbles through his lines here especially since he's a big part of the first third. But he has small moments of effective emotion. None of the rest of this sequence is very memorable but does establish the character of Doss. There's the showing as well of his romance with future wife Dorothy Schutte(Teresa Palmer). This is handled with some slightly awkward chemistry between Garfield and Palmer, and is paired with cheesy music but beautiful visual shots courtesy of Gibson.
The movie goes through three major arcs and settings that contrast pretty heavily in quality and style from each other. The film's opening 1/3 are set in Virginia and detail the Doss family drama. There's some decent stuff, but at times things can get cheesy. It's unfortunate that the great Hugo Weaving kind of bumbles through his lines here especially since he's a big part of the first third. But he has small moments of effective emotion. None of the rest of this sequence is very memorable but does establish the character of Doss. There's the showing as well of his romance with future wife Dorothy Schutte(Teresa Palmer). This is handled with some slightly awkward chemistry between Garfield and Palmer, and is paired with cheesy music but beautiful visual shots courtesy of Gibson.
The next portion of the film follows
in the same trend as Doss goes to bootcamp. Here he meets the strict
Sgt. Howell(Vince Vaughn) and stricter Cpt.Glover(Sam Worthington).
Suffice to say that Doss's views do not mesh well with the military.
It should be seen first hand, but there's an interesting, almost A
Few Good Men style legal element here that would make the movie
interesting in its own right as a standalone. Vaughan provides some
needed comic relief , especially before things get too grim, and
shows a bit of a type cast break from what he normally does.
Worthington as well gives a ferocity and slight adversary role that's
memorable. There's also a pretty good cast of various supporting
squad members, from the bullying Smitty(Luke Bracer) to the
charismatic “Hollywood”(Luke Pegler).
As with most war epic films, all of
the mixed ride of the civilian life is all just set up to the real
part of the film, the battlefield. Set in the brutal Pacific 1945
Battle of Okinawa, Doss and crew are sent to the frontlines through
what is nearly non-stop action for the rest of the film's long
run-time. This is one of Hacksaw Ridge's strongest suits. Mel Gibson
is a director that has delivered powerful brutal imagery through
Christ in Passion and conflict in Braveheart and Apocalypto. A WW2
film is a natural fit, and the battle scenes are a varied greatness
of brutal, exciting, horrifying , explosive, and dark. This is
perhaps one of the most brutal war films ever made as it makes Saving
Private Ryan seem like it was holding back slightly in terms of gore.
It at times may seem excessive, but no doubt this is how it really
was and brings the audience to the front line. There are slight
moments of obvious CGI but otherwise it's a terrifying, visceral
portal to the past. Perhaps the brutal violence helps sell the
message as well.
Through this all, it's exciting to see
how Doss handles this. The plot is good at making just one titular
ridge of “hacksaw” worth the time. This allows Garfield to shine,
who is the other main highlight. Andrew Garfield has shown some
promise in other roles in his career, but here he has the extended
time and material Spider-Man never gave him. He brings depth,
emotion, an accent, that makes him transform into the role and feel
and cheer for him in his faith. One constantly cares for Doss, and
his peers.
Mel Gibson has made one of the new
World War 2 Pacific front legends. Although it has its drawbacks,
most notably in the buildup and some bit pieces, the violent action
and core themes/performance make it unique and commendable. 8.75 out
of 10
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